Selected Publications (electronic copies available at academia.edu)

 

Buchholz, Larissa and Andreas Schmitz. (Forthcoming). “Rethinking Relationalism in Global/Transnational Field Theory. Four Critical Directions beyond Methodological Nationalism” The Paradigm of Relational Sociology, edited by Frédéric Vandenberghe, Marcia Grisotti, and Christian Papilloud. London: Palgrave. (peer-reviewed)*

Buchholz, Larissa. (Forthcoming). What is “Global” about Contemporary Art? Some Clarifications on the Global Field Perspective and “Distant Seeing.” in Nonsite. (Peer-reviewed quarterly journal of scholarship in the arts and humanities).

Buchholz, Larissa and Ulf Wuggenig (Forthcoming) “Habitus, Cultural Capital and Knowledge in Art Reception.” Handbook of the Sociology of the Arts, edited by Aida Bosch, Lutz Hieber and Christian Steuerwald. In German. Munich: Meteor.
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Larissa Buchholz and Andreas Wimmer. 2023. “What can global field theory offer global and transnational sociology?” interview in Global and Transnational Sociology Newsletter of the American Sociological Association, Fall Issue: 10-15, 2023.

Buchholz, Larissa. 2023. “Why Not “Global Art World”?” Texte zur Kunst. (July).

Buchholz, Larissa, and Ulf Wuggenig. 2023. “From the Love of Art to a Passion for Investments? Shifts and Classification Struggles around the Global Elite of Art Collectors.” In Judgement Practices in the Artistic Field, edited by Elisabeth Heymer et al., 392–412. Munich: Edition Metzel. ISBN: 978-388960209.

Buchholz, Larissa.  2022. The Global Rules of Art. The Emergence and Divisions of a Cultural World Economy. Princeton Series in Global and Comparative Sociology. Princeton: Princeton University Press. ISBN: 978-0691245447. 416 pp.
Buchholz, Larissa. 2022. Review article of Álvaro Santana-Acuña’s Ascent to Glory: How One Hundred Years of Solitude Was Written and Became a Global Classic (Columbia University Press, 2020), American Journal of Sociology 128, no. 1: 311–313. 2022.
Buchholz, Larissa, Gary Fine, and Hannah Wohl. 2020. “Art Markets in Crisis: How Personal Bonds and Market Subcultures Mediate the Effects of COVID-19.” American Journal of Cultural Sociology 8, no. 3: 462–476.
Buchholz, Larissa. 2020. “Risk Society.” In Keywords in Public Art, edited by Zhongtao Zhang and Jun Jiang. Shanghai: Shanghai Literature & Art Publishing House. In Chinese, 2020.
Buchholz, Larissa. 2019. “Real Type Formation in Global Comparative Work.” Perspectives 41, no. 1 (Spring/Summer): 14–18, 2019.
Buchholz, Larissa. 2019. “Cosmopolitanism, Human Rights and the Cultural Boundaries of World Society.” In Kulturen im Globalen Kontext, 3–31. Verlag für Kunst und Wissenschaft. In German. ISBN: 978-3000591037, 2019.
Buchholz, Larissa.  2018. “Rethinking the Center-Periphery Model: Dimensions and Temporalities of Macro-Structure in a Global Cultural Field.” Poetics: Journal of Empirical Research on Culture, the Media, and the Arts 71 (December): 18–32.
Buchholz, Larissa. 2018. “Beyond Reproduction: Asymmetric Interdependencies and the Transformation of Centers and Peripheries in the Globalizing Visual Arts.” In Art and the Challenge of Markets, edited by Victoria Alexander et al., 277–304. London: Palgrave MacMillan. ISBN: 978-3319878423, 2018.
Buchholz, Larissa. 2016.“What is a Global Field? Theorizing Fields beyond the Nation-State” (lead article). The Sociological Review 64, no. 2: 31–60. (Online publication: February 9, 2017). https://journals.sagepub.com/doi/10.1111/2059-7932.12001, 2016.
Buchholz, Larissa. 2016. “Paradoxes of Creativity in China,” review article of Lily Chumley’s Creativity Class: Art School and Culture Work in Postsocialist China (Princeton: Princeton University Press, 2016), British Journal of Sociology 69, 1341–1342, 2018.
Buchholz, Larissa. 2016.  “Causal Explanation in Global Analysis. A Critical Realist Rapprochement.” Critical Realism Network (December), http://criticalrealismnetwork.org.
Buchholz, Larissa, and Ulf Wuggenig. 2016. “Constructing Audiences, Defining Art: The Field Experiment of the Public Open Libraries” Art in Public Spaces. Visual Arts Journal 12: 12–22. ISSN 23482508.
Buchholz, Larissa. 2015. “Art vs. Money? A Comparison of Three Models of Valuation.” In Art in the Periphery of the Center, edited by Christoph Behnke et al., 424–439. Berlin: Sternberg Press. ISBN: 978-3956790775, 2015.
Buchholz, Larissa, and Ulf Wuggenig. 2012. “Art and Globalization.” In The Art Field: A Study of Actors and Institutions of Contemporary Art, edited by Heike Munder and Ulf Wuggenig, 163–188. Zurich: Ringier. In German. ISBN: 978-3037643006.
Buchholz, Larissa. 2012. “Toward a Transregional Virtual Institute for Advanced Study,”Institute for Advanced Study Berlin. (Report).
Buchholz, Larissa. 2011. “The Indian-European Advanced Research Network, IEARN, 2008-11. Report and Directions,” Institute for Advanced Study Berlin. (Report).
Eyal, Gil, and Larissa Buchholz. 2010. “From the Sociology of Intellectuals to the Sociology of Interventions.” Annual Review of Sociology 36: 117–137.
Buchholz, Larissa.  2009. “The Reception of Bourdieu in the US and Great Britain.” In Bourdieu-Handbook: Life-Work-Influence, edited by Boike Rehbein and Gerhard Froehlich, 387–400. Stuttgart: Metzler. In German. ISBN: 978-3476025609.
Buchholz, Larissa. 2008. “Field Theory and Globalization,” In After Bourdieu, edited by Beatrice von Bismarck et al., 211–238. Vienna: Turia + Kant. In German. ISBN: 978-3851325270.
Buchholz, Larissa and Haiko Lietz. 2008. Contributors to “Getting Action,” pp. 279-333 in revised second edition of Harrison C. White. Identity and Control. How Social Formations Emerge. Princeton: Princeton University Press.
Godart, Frederic and Larissa Buchholz. 2008.  Contributors to “Styles,” pp. 112-170 in revised second edition of Harrison C. White. Identity and Control. How Social Formations Emerge.Princeton: Princeton University Press.
White, Harrison C., Jan Fuse, Matthias Thiemann, and Larissa Buchholz. 2007. “Networks and Meanings: Styles and Switchings.” Soziale Systeme 13, no. 1/2: 543–555.
Buchholz, Larissa. 2007. “Risk Society.” In Sculpture. Projects. Muenster 07, edited by Kaspar Koenig and Brigitte Franzen. Cologne: Verlag der Buchhandlung Walther Koenig. In English and German. ISBN: 978-3865602343.
Buchholz, Larissa. 2006.  “Bringing the Body Back into Theory and Methodology,” Theory and Society 35, no. 4: 481–490.
Buchholz, Larissa, and Ulf Wuggenig. 2005. “Cultural Globalization between Myth and Reality: The Case of the Contemporary Visual Arts,” in Art-e-Fact, vol. 4, 2005.
Buchholz, Larissa, and Sophia Prinz. 2004. “Cartographic Representations.” In Atlas: Spaces in Subjunctive, edited by Christoph Behnke et al. Lueneburg: Verlag für Kunst und Wissenschaft, 32–36. In German. ISBN: 978-3927816572, 2004.
Buchholz, Larissa.  2003. “Art and Sustainability-Obstacles and Potentials,” Pp. 7-8 in Campus Courier, University of Lueneburg, edited by Andreas Fischer, extra edition for the World Environment Day, June. In German.
Buchholz, Larissa, and Ulf Wuggenig. 2002. “Nomadic Greenhouses: Dan Peterman’s Project Greenhouse.” In Culture, Art, and Sustainability: The Importance of Culture for Sustainable Development, edited by Hildegard Kurt and Bernd Wagner, 155–174. Bonn: Klartext Verlag. In German. ISBN: 978-3898610933.
Buchholz, Larissa. 2002. “Cultural Landscapes. Diagnosis Development.” Report and evaluation of an international symposium for the Foundation of Lower Saxony, nominated by the president of the University of Lueneburg. Lueneburg: Institute for Cultural Theory. In German.