Publications 

Buchholz, Larissa. November 2022. The Global Rules of Art. Princeton: Princeton University Press. (Princeton Studies in Global and Comparative Sociology, 416 pages).

Buchholz, Larissa and Ulf Wuggenig. 2022. “From the Love of Art to a Passion for Investment? Shifts and Classification Struggles around the Global Elite of Art Collectors.” in Locher, H. et al. Judgement Practices in the Artistic Field. Edition Metzel, 479-500. ISBN: 978-3-88960-209-I.

Buchholz, Larissa. 2022. Review of Ascent to Glory: How One Hundred Years of Solitude Became a Global Classic” (Columbia University Press, 2020), invited review article for American Journal of Sociology, 128 (1): 311-313.

Buchholz, Larissa, Gary Fine and Hannah Wohl. 2020. “Art Markets in Crisis: How Personal Bonds    and Market Subcultures Mediate the Effects of Covid-19.” American Journal of Cultural Sociology. https://doi.org/10.1057/s41290-020-00119-6

Buchholz, Larissa. 2019. ““Real Type Formation in Global Comparative Work.” Perspectives 41, no. 1 (Spring/Summer): 14–19.

Buchholz, Larissa. 2019. “Cosmopolitanism, Human Rights, and the Cultural Boundaries of World Society.” In Kulturen im Globalen Kontext, 3–31. Verlag für Kunst und Wissenschaft. In German. ISBN: 9783000591037.
Buchholz, Larissa. 2018. “Rethinking the Center-Periphery Model: Dimensions and Temporalities of Macro-Structure in a Global Cultural Field.” Poetics: Journal of Research on Culture, the Media and the Arts 71 (December): 18-32. https://doi.org/10.1016/j.poetic.2018.08.003.

Buchholz, Larissa. 2018. “Beyond Reproduction: Asymmetric Interdependencies and the Transformation of Centers and Peripheries in the Globalizing Visual Arts.” pp. 277-304, in Art and the Challenge of Markets, edited by Victoria Alexander et al. London: Palgrave MacMillan.

Buchholz, Larissa. 2018. “Paradoxes of Creativity in China.” invited review for British Journal of Sociology http://dx.doi.org/10.1111/1468-4446.12377

Buchholz, Larissa. 2016. “What is a Global Field? Theorizing Fields Beyond the Nation-State. Sociological Review 64 (2): 31-60. (lead article)

* Junior Theorist Award, American Sociological Association

* Junior Theorist Prize, International Sociological Association

Buchholz, Larissa. 2016. “Causal Explanation in Global Analysis. A Critical Realist Rapprochement” Critical Realism Network. December. http://criticalrealismnetwork.org

Buchholz, Larissa and Ulf Wuggenig. 2016. “Constructing Audiences, Defining Art: The Field Experiment of the Public Open Libraries.” Visual Arts Journal (Volume 12) (12-22): 2348-2508.            (lead article)

Buchholz, Larissa. 2015. “Art vs. Money? A Comparison of Three Models of Valuation,” in: Art in the Periphery of the Center, pp. 424-439, edited by Christoph Behnke et. al. New York: Sternberg Press.

Buchholz, Larissa and Ulf Wuggenig. 2012. “Art and Globalization,” pp. 163-188 in The Art Field. A Study of Actors and Institutions of Contemporary Art, edited by Heike Munder and Ulf Wuggenig. Zurich: Ringier. In German

Eyal, Gil and Buchholz, Larissa. 2010. “From the Sociology of Intellectuals to the Sociology of Interventions,” Annual Review of Sociology Vol. 36: 117-137

Buchholz, Larissa. 2009.  “The Reception of Bourdieu in the US and Great Britain,” pp. 387-400 in Bourdieu-Handbook: Life-Work-Influence, edited by Boike Rehbein and Gerhard Froehlich. Stuttgart: Metzler. In German

Buchholz, Larissa. 2008. “Field Theory and Globalization,” pp. 211-238 in After Bourdieu, edited by Beatrice von Bismarck et al. Vienna: Turia + Kant. In German

White, Harrison C., Fuse, Jan, Thiemann, Matthias, and Buchholz, Larissa. 2007. “Networks and Meanings. Styles and Switchings,” Soziale Systeme Vol. 13 (1/2): 543-555

  • Reprinted in Replika (Hungarian Social Science Journal, thematic issue on the work of Harrison White)
  • Translated into Spanish: White, H., Fuhse, J., Thiemann M. and L. Buchholz. 2011. Redes y sentido. Estilos e intercambios. In Ignacio Farías and José Ossandón (eds.) Comunicaciones, semánticas y redes. usos y desviaciones de la sociología de Niklas Luhmann Universidad Iberoamericana: Huixquilucan, Estado de México. 

Buchholz, Larissa. 2006. “Bringing the Body back into Theory and Methodology,” Theory and Society Vol. 35 (4): 481-490

Buchholz, Larissa and Wuggenig, Ulf. 2005. “Cultural Globalisation between Myth and Reality: The Case of the Contemporary Visual Arts,” Glocalogue (4) (special issue with contributions by Saskia Sassen, Neil Brenner, Bruno Latour)

Buchholz, Larissa und Wuggenig, Ulf. 2002. “Nomadische Treibhäuser: Dan Petermans Projekt ‚Greenhouse.’” in Kultur–Kunst–Nachhaltigkeit: Die Bedeutung von Kultur für das Leitbild Nachhaltige Entwicklung, edited by Hildegard Kurt and Bernd Wagner. Bonn: Klartext Verlag, 155-174.

Other Publications:

Buchholz, Larissa. 2020. “Risk Society” in: Keywords in Public Art, edited by Zhongtao Zhang and Jun Jiang, Shanghai Literature & Art Publishing House. In Chinese.

Buchholz, Larissa. 2015 “We ascribe the market too much symbolic power.” Research highlights at Leuphana University, https://www.leuphana.de/news/meldungen-forschung/ansicht/datum/2015/08/07/wir-schreiben-dem-markt-zu-viel-symbolische-macht-zu-kunstsoziologin-larissa-buchholz-im-i.html. In German.

Buchholz, Larissa. 2012. “Toward a Transregional Virtual Institute for Advanced Study,” Institute for Advanced Study Berlin. (Report)

Buchholz, Larissa. 2011. “The Indian-European Advanced Research Network, IEARN, 2008-11. Report and Directions,” Institute for Advanced Study Berlin. (Report)

Buchholz, Larissa and Haiko Lietz. 2008. Contributors to “Getting Action,” pp. 279-333 in revised second edition of Harrison C. White. Identity and Control. How Social Formations Emerge. Princeton: Princeton University Press.

Godart, Frederic and Larissa Buchholz. 2008. Contributors to “Styles,” pp. 112-170 in revised second edition of Harrison C. White. Identity and Control. How Social Formations Emerge. Princeton: Princeton University Press.

Buchholz, Larissa. 2007. “Risk Society,” in Sculpture. Projects. Muenster 07, edited by Kaspar Koenig and Brigitte Franzen. Cologne: Verlag der Buchhandlung Walther Koenig. In English and German.

Buchholz, Larissa and Sophia Prinz. 2004. “Cartographic Representations,” Pp. 32-36 in Atlas. Spaces in Subjunctive, edited by Christoph Behnke et al. Lueneburg: Verlag für Kunst und Wissenschaft. In German.

Buchholz, Larissa. 2003. “Art and Sustainability-Obstacles and Potentials,” Pp. 7-8 in Campus Courier, University of Lueneburg, edited by Andreas Fischer, extra edition for the World Environment Day, June. In German.

Buchholz, Larissa. 2002. “Cultural Landscapes. Diagnosis Development.” Report and evaluation of an international symposium for the Foundation of Lower Saxony, nominated by the president of the University of Lueneburg. Lueneburg: Institute for Cultural Theory. In German.